Our Work

Permanent lighting, caught here in teal at dusk. The same track sits on the gables all year — you just change the color when the season does.

Red and green worked all the way into a big evergreen. On a tree this full you light every branch, or the whole thing goes patchy.

Commercial job, shot right at dusk. Warm white along the parapet, red under each awning, and a bow-topped wreath up on the brick.

Stone fronts look best when the roofline stays quiet and the color sits low, so this one got warm white up top and all the red down in the bushes.

Our favorite kind of job — roofline, gables, wreaths, doorway garland, and every bed lit. Nothing left dark.

A property this wide needs the landscape pulling as much weight as the roof. Red down one side, white down the other, clean runs across every gable.

Warm white up top, red across the whole foundation, and the bare tree out front wrapped to the tips. That little run edging the walkway does more than you'd think.

Full multicolor C9s — roofline, all three dormers, the garage wing, and the columns wrapped down both sides of the door. When a family wants color, we don't do it halfway.

Bright white, pushed deep into the branches instead of draped over the outside. That's the difference between a tree that glows and one that just has lights on it.

A row of evergreens alternating red and white down the length of the building, with a warm white run holding the roofline above them.

The same commercial property after dark. Parapet lit end to end, wreaths on the storefront, red under the awnings, and the patio trees wrapped so it reads from the road.

Two multi-trunk trees, every limb followed individually. Tree wrapping is slow work and there's no way to fake it.

Wreaths and bows in the upper and lower windows, garland along the porch rail, a big lit wreath on the end gable, and lit bushes the whole way across the front.

The canopy is the tricky part on a commercial install — one continuous run, no sag, straight over the drive-through. Out front, a bare tree wrapped in red and white.

Brick colonial with a wreath and bow in all three dormers, more in the windows, and a big one hung over the entry. Hedges lit right up to the walk.

That long curve of lit hedge is what sells this one. Warm white on every gable above it, red shrubs closing off both ends.

Close in on the entry — garland and red bows climbing both sides of the arch, a wreath on the door, and the beds underneath packed with light.

Warm white on the rooflines with deep blue washing the stone and filling the hedges. Warm and cool together is harder to pull off than it looks.

Straight run along the eave, up and over all three dormer peaks, then out across the garage. Simple — and it has to be perfect to look this way.

A daytime look at the greenery work: wreaths on the doors, garland and bows around the fountain and the planters, bows tied into the shrubs along the drive.

Garland up the columns, wreaths at the peaks, and that big bare tree out front wrapped branch by branch with lit bursts worked into the limbs.

An older brick building where the arched entry does the heavy lifting — outlined the whole way around, roofline kept plain, front beds full.

One old tree, wrapped limb by limb, light carried right out to the ends. Jobs like this are the reason we own so many ladders.